Sasha Stiles is an award-winning Kalmyk-American poet, artist and researcher whose work explores what it means to be human in a more-than-human age. A leading voice in generative creativity, she bridges conceptual and computational art to reimagine poetry as a form of living intelligence, synthesizing text and technology, memory and imagination into a practice that continuously questions the boundaries between the human and the artificial.

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Joëlle Snaith is an audiovisual artist and designer based in London. She works at the intersection of live visuals, performance and interaction design, exploring the relationship between sound and form. Snaith translates music into visual language through frequencies and minimal structures, creating compositions entirely sculpted by sound. She is the visual artist for electronic musician and DJ Richie Hawtin and a resident at FOLD, London.

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Yuma Yanagisawa is a Japanese new media artist from Tokushima who uses creative coding to build immersive, interactive algorithmic compositions. Self-taught and curiosity-driven, he studied Social Sciences in Tokyo and Human Computer Interaction in Nottingham before finding his path in digital art. His work takes the form of real-time installations and experimental films, drawing on Japanese aesthetics from ukiyo-e to sumi-e, and reinterpreted through the lens of generative technology. The result hovers between nature and code, the timeless and the digital. His work has been shown internationally at NODE Frankfurt, Bright Festival Leipzig and CADAF Paris.

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Floor Toppets has been working with open source deep generative models since 2020, training them on her own image archive. Her work investigates the exchange between herself and her computer, how input transforms and distorts output, and how the artificial and reality can sometimes merge into something new. Her practice is both technical and personal: the machine becomes a mirror, a collaborator and a transformer of her own visual world.

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Sara Montoya Cardona is a Colombian visual artist and creative director from Medellin. She holds a master's degree in audiovisual innovation and interactive environments from BAU Barcelona, and a master's in motion graphics and 3D from LCI Barcelona. Her work investigates the boundaries between art, design and technology, exploring the overlap and dissolution of the real and the virtual, and questioning the possibility of a post-digital aesthetic in which no non-digital realities remain. Montoya has worked as a freelance creative director across music, fashion and gastronomy in Barcelona and Medellin, and has exhibited her work in Colombia, Spain and the United Kingdom.

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